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The 6TapRandom mode is useful for thick multitap choruses, with less audible patterns than the SuperSix mode. There are 6 independent vibrato LFOs, one for each output tap. The left and right channels are modulated in antiphase, in a similar manner to the SuperSix mode, but the randomized triangle results in less audible patterns for the detuning.
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SuperSix is also useful for creating triplet echos, short gated sounds, and other multitap effects.Ħ modulated delay taps (3 left/3 right), and 3 slow LFOs, each of which has a randomized triangle waveform for the slow LFO. The SuperSix mode is a good starting point for emulating the “unison” control on older analog polyphonic synth when all of the oscillators were used to create a massive detuned sound. The vibrato speed is slightly different between left and right channels for a wider stereo spread. Each channel has its own independent 3-phase vibrato LFO (0/120/240 degree outputs) for emulating the vibrato component of classic string ensembles. There are 3 slow triangle LFOs, using the antiphase modulation technique. SuperSix has 6 modulated delay taps (3 left/3 right). The architecture was derived from the ensemble section of the VP330, and is naturally suited towards creating string ensemble emulations, as well as thick detuned choruses. The 4TapEnsemble can be viewed as 2 mono versions of the 2TapChorus, one panned left, and one panned right. Each channel has a single sine vibrato oscillator modulating one of the taps, with different rates for each input/output channel.
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There are 2 slow LFOs, one for the left taps and one for the right taps, using the same antiphase modulation as the 2TapChorus, but with different rates for each channel.
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The 2TapChorus mode is useful for emulating the Roland Dimension C and Dimension D choruses, and also serves as a useful starting point for tape echos, diffusion-based reverbs, and all sorts of other effects.ĤTapEnsemble has 4 modulated delay taps, 2 for the left input channel, 2 for the right input channel. The vibrato modulation uses a quadrature oscillator, with the left and right modulations separated by 90 degrees. The slow tap modulation is derived from a single triangle LFO, with the modulation phase inverted for one of the taps (I call this “antiphase modulation”). Two modulated delay taps, one for the left input signal, one for the right input signal. With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod creates lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization. ValhallaÜberMod is a unique mutltap delay and modulation plugin. Stupendous and unheard-of splendors await me below, and I shall seek them soon.
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